Now, I am normally a "go first and get it over with" type of person, but the Manet piece I was presenting made the most sense in the middle of our tour. Margaret kicked us off with Jesus Mocked by the Soldiers followed up by Beggar with Oysters (Philosopher). I fully expected to feel completely nauseous during this portion of the tour, as I *eagerly* awaited my turn. However, I found myself so engaged by Margaret's discussion that all nervousness fell to the wayside.... until it was my time to talk, that is.
I began my portion of the tour by introducing an academic painting: Jean Leon Gerome's Chariot Race from 1876. This painting was made 10 years after my main piece - Manet's Races at Longchamp - but it clearly demonstrates Manet's break with the academy (which then made Longchamp way easier to talk about!). Using this piece as a contrast was Margaret's idea, and a brilliant one at that!
Edouard Manet, The Races at Longchamp, 1866
As soon as I began talking and asking questions, my nerves calmed once again, and I was off to the races! (I know, I know, I'm an awful punner; I just can't help myself!) Seriously, though, it felt like second nature. I supplied interesting info, gathered ideas from the group, and fielded all sorts of questions - only one of which I couldn't answer! (Turns out, the tall bar with a circle on it is the finish line. Thanks, Margaret!) Best yet, after my tour one of the more ornery regulars congratulated me on a job well done and told me my projection was so good he could "hear me all the way in New Jersey." Well, sir, I will take that as a compliment! Faaantastic!
No comments:
Post a Comment